Street Date: Oct 26, 2018 Jessica Moss has been blossoming as a solo artist since the release of her acclaimed debut album Pools Of Light in spring 2017. The violinist, composer and singer best known for her 15-year tenure in political post-punk band Thee Silver Mt. Zion is newly ascendant as a soloist, captivating audiences with gritty, warmly expressive electronic and drone-inflected post-classical Minimalism (and sometimes Maximalism), accented by a distinctive melodic sensibility that channels Klezmer, Balkan and Middle Eastern tropes. On Entanglement, her new and second album, Moss channels quantum theory as a metaphor for creating energetic connections through esoteric processes. Using violin (and occasionally, voice) as sound source, her compositions are set in motion like entangled particles – spinning, ricocheting, warping and stretching in extra-dimensional space. "Particles," the magnificent 22-minute opus on Side One, is a stunning transmission of cosmos-level wonder, mystery and dread. Conjuring up sound as if from dark energy, the piece gradually humanizes the void as a circling string theme develops then retracts to a single note, stretches space-time through a slowly developing drone, and clears a haunted celestial expanse for Moss to introduce hushed, keening vocal lines that layer one upon the other. "Fractals" on Side Two is a work in four parts that unspools through various iterations of folk-inflected phrases, played on amplified violin, sampled in real-time, and redeployed in entwined pairings, echoes and cascades. Here, Moss wields the violin with a narrative intent perhaps more commonly associated with solo horn in the jazz tradition – the power of the single melodic line, the instrument as expressive analogue to human speech and voice. Profoundly informed by the experiences of travelling alone – playing in precarious spaces preserved by passionate subcultural communities, attempting fragile, intimate, abstract transmissions through sound and performance – Moss's new music on Entanglement invokes the striving for communication/connection in isolation, the mysterious energies that bind the singular and the universal, and the indomitably terrestrial energies that bring micro-communities of people together to partake sustainably and attentively in human-scale shared experiences. This is long-attention-span music that wonderfully synthesizes form and substance, spit and polish, austerity and lushness, expansiveness and intimacy. Entanglement is a deeply felt and deeply rewarding work that testifies to the unique stylistic and textural space Moss is carving out in the contemporary/New Music continuum. 180-gram vinyl (pressed at Optimal, Germany) includes 12 x 24 art print poster plus download.